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My interest in things automotive
began in toddlerhood if not earlier. Family lore
holds that the first identifiable word out of
my mouth was not mama or dada but car; I was pointing
to my father's 1948 Nash at the time. Things went
downhill from there. Throughout the 1950s I was
one of those obnoxious lads who could identify
the make and model of virtually every car on the
road. Trust me, I shared that knowledge with anyone
foolish enough to listen.
I was, and remain, equally enamored of commercial
vehicles. My favorite sound was of 6-71 Series
Detroit Diesels pushing "Old Look" GM
transit coaches through city traffic. In fact
during much of the '50s I thought I was a GM Old
Look transit coach! Many of my early toys were
trucks and buses. My favorites were the ones that
looked like real vehicles. Not many toys did back
then, at least not those found in my toy box.
By the early 1960s 1/25 scale model kits and promos
were in full bloom. Of course I was smitten, but
one could only accumulate so many on the pittance
my parents called an allowance. Plastic models
tended to break (or, on occasion, crash and burn).
So it was around this time that I started to save
car sales literature obtained at the occasional
car show my father would take me to or that folks
who knew I liked cars would give me. Prior to
then, I'd been known to cut out pictures from
brochures to paste in scrapbooks, but we don't
want to go there, do we?
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In those olden days when many
dealerships were still located downtown, many
a Saturday I'd take the GM Old Look (slowly being
supplanted by GM New Look "Fishbowls"
which seemed less interesting and mellifluous
then because their Detroits were in V-format instead
of inline, but very cool today) from the suburbs
to Atlanta's city center, sometimes for the sole
purpose of picking up literature from dealers
along the major avenues. Come the mid-1960s with
driver's license blessedly in wallet I could make
the rounds of suburban dealers, something I do
to this day. It took courage to locate and beg
literature from heavy-duty truck sales offices,
but eventually I did that, too. The rest, as they
say, is history.
It's hard to remember exactly when I decided to
try to collect one example of every sales item
produced by every manufacturer (who sold in this
country) every year. I knew from the outset it
was an abjectly impossible goal, since I couldn't
know what specifically to look for. Who knows
whether I was even fully aware of brochure revisions?
Time spent away in college didn't impede collecting.
Even a spell in Germany courtesy of Uncle Sam
didn't entirely stop it (and gave me a smattering
of German market literature from the early '70s
era). During college there were forays into the
unexpected, such as the time I wrote to literally
dozens of motor home manufacturers requesting
sales literature It was also the time when I discovered
and joined Autoenthusiasts International, a group
of similarly like-minded wackos. AI made periodic
gifts to its members of sales literature it reprinted.
They also sold older literature and were the source
of my first rather tentative purchases. At the
time my disposable income was not particularly
robust (some things never change). I was also
struggling with a philosophical conundrum - why
should I buy something that was intended to be
given away. Being a college man, it didn't take
me all that long to realize that Cadillac dealers
don't give away brochures for 1956 models in 1969.
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In 1974 I wrote to a newly published
British truck magazine to which I had subscribed
asking if anyone in the readership was interested
in swapping U.S. truck literature for its European
counterpart. The response quickly zoomed out of
control - well over 100 offers by the time I stopped
counting, including a fair amount of unsolicited
literature. For several years I tried hopelessly
to swap with everyone who'd written. I was on
a first name basis with all the postal clerks
within a several mile radius. Most correspondents
drifted away over time. But that naïve letter
has resulted in several enduring friendships and
quite a mountain of literature from countries
as diverse as England, France, Germany, the Czech
Republic, Japan, Australia, Brazil, Argentina,
and others too numerous to remember. My foreign
literature holdings are at least the size of my
domestic, larger if you count foreign literature
obtained in the U.S. for the domestic market.
By the mid-1970s I was attending old car shows
and have been a regular at Hershey since the 1980s.
I've developed friendships with professional literature
dealers and several like-minded collectors, one
of whom has published a compendium of post-WWII
U.S. sales literature, to which I contributed
very modestly late in the game. A group of us
maintains e-mail alerts of current literature
sightings, which helps immeasurably in the still
futile goal of one-of-everything...
Other objects of collector interest include runs
of automotive-related magazines. I subscribe to
40+ titles, most of which I read cover-to-cover.
Books are a great attraction, not only car, truck
and bus titles but also planes, ships, trains
and certain types of architecture. A fair selection
of automotive scale models vie for attention on
my shelves, plus entire wall of snap-together
airliner models. Then there are truck nameplates,
license plates, hubcaps and other bric-a-brac.
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In the early days my smallish
apartments could accommodate the collection adequately.
Later I bought a slightly larger condo which eventually
was overrun to the point of compromised livability
and potential fire hazard. Being a confirmed bachelor
didn't help matters. About two years ago I finally
succumbed to the obvious and bought an unpretentious
but comfortable house with a dry, finished basement
and decent sized garage. Moving 100+ 11x15"
hinge-lidded plastic crates was no picnic. That's
just the sales literature The books were in just
as many cardboard boxes, and the rest I don't
even want to think about. Collecting habits take
space, and the basement is filling up more quickly
than anticipated. It shouldn't become a problem
at least for a while.
Collecting from an early age, living in tight
quarters, casual attention to storage and major
moves can conspire through to years to have a
deleterious affect on the condition of items in
a collection. That certainly is true in my case,
although it has never been a very big deal to
me. As far as I'm concerned, it's a hobby, not
an investment, and these are/were working documents.
Items must be complete and readable, but beyond
that I prefer to spend X dollars for two pieces
that show some age than one pristine item. By
exercising patience and shopping prudently, a
frugal collector can do much better than two for
the price of one. Serious collectors, regardless
of the object of their desires, are advised from
their fledgling years that the three most important
attributes are condition, condition and condition.
I do not disagree with the principle, except to
point out that my less discerning approach has
provided me with an incomparably satisfying and
enjoyable hobby for over 40 years.
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By way of example, which is relatively
recent and does not involve a literature purchase,
permit me to recount the following true story.
When the previous generation Suburban was released,
Chevy issued a lavish brochure far more upscale
than the regular showroom piece. It may have been
intended for sales staff, previous owners or really
hot prospects. While pawing through the racks
of a dealership I treasure for its easy access
to sales literature and overall hassle-free environment,
a genuinely friendly salesman asked if he could
help me find something. I fessed up and explained
why I had a small stack of literature in my hand.
On impulse I asked whether he'd seen the super-deluxe
Suburban brochure. He ushered me to a chair in
his cubicle, produced a fresh copy out of a drawer
and handed it to me. We chatted cordially about
my collection, my goal to own a Corvette before
I die, etc. He made no sales pitch whatever except
to give me his business card. When I thanked him
and rose to depart, he asked for the brochure
just for a moment. Then he took a black marker
pen and scrawled his signature boldly across the
cover! I'm sure most collectors would have been
horrified. But to this day I think it's one of
the funniest events in all my time collecting.
I've never seen another copy of the brochure but
wouldn't think of replacing mine. That inexplicably
bizarre autograph is an integral part of my collecting
experience. Here's hoping for many interesting
moments to come.
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